Indian Act

Donna-Michelle St. Bernard, a.k.a. Belladonna the Blest, is an emcee, playwright, and agitator. Her main body of work, the 54ology, includes Cake, Sound of the Beast, A Man A Fish, Salome’s Clothes, Gas Girls, Give It Up, The Smell of Horses, and The First Stone. Works for young audiences include the META-nominated Reaching For Starlight, The Chariot, and Rabbit King of Kenya. Opera libretti include Forbidden (Afarin Mansouri/Tapestry Opera) and Oubliette (Ivan Barbotin/Tapestry Opera). She is co-editor with Yvette Nolan of the Playwrights Canada Press Refractions anthologies, and editor of Indian Act: Residential School Plays.

Daniel David Moses is "a coroner of the theatre who slices open the human heart to reveal the fear, hatred and love that have eaten away at it. His dark play… can leave its audience shaking with emotion." (Kate Taylor, The Globe and Mail, about The Indian Medicine Shows). Moses, a Delaware from the Six Nations lands on the Grand River, lives in Toronto, where he writes, and in Kingston, where he teaches in the Department of Drama at Queen's University.

Falen Johnson is Mohawk and Tuscarora from Six Nations. She is an actor, playwright and emerging dramaturg. She is a graduate of George Brown Theatre School. Selected theatre credits include: The Only Good Indian with Turtle Gals Performance Ensemble, The Triple Truth, Savage, Strong Medicine, Death of a Chief, A Very Polite Genocide, and Tombs of the Vanishing Indian all with Native Earth Performing Arts. She has also been seen in The Ecstasy of Rita Joe, a co-production between Western Canada Theatre and the National Arts Centre. Recently Falen was seen in The River with Nakai Theatre as well as Tout Comme Elle, a co-production between Necessary Angel and Luminato, and in Where the Blood Mixes with Saskatchewan Native Theatre.